{"id":7459,"date":"2026-04-04T19:09:40","date_gmt":"2026-04-04T16:09:40","guid":{"rendered":"https:\/\/spontanedigital.com.tr\/?p=7459"},"modified":"2026-04-04T19:09:43","modified_gmt":"2026-04-04T16:09:43","slug":"sessizligin-icindeki-politika-sari-zarflar","status":"publish","type":"post","link":"https:\/\/spontanedigital.com.tr\/?p=7459","title":{"rendered":"Sessizli\u011fin \u0130\u00e7indeki Politika: \u201cSar\u0131 Zarflar\u201d"},"content":{"rendered":"\n

\u201cSar\u0131 Zarflar\u201d\u0131n en g\u00fc\u00e7l\u00fc yan\u0131, politik olan\u0131 sloganlara hapsetmeden g\u00fcndelik hayat\u0131n i\u00e7ine da\u011f\u0131tabilmesidir. Evin i\u00e7indeki sessizlik, konu\u015fulamayan c\u00fcmleler, birbirine de\u011fmeden ya\u015fayan iki insan, ailenin i\u00e7indeki k\u00fc\u00e7\u00fck iktidar ili\u015fkileri\u2026<\/strong><\/p>\n\n\n\n

\u201cSar\u0131 Zarflar\u201d baz\u0131 filmler gibi kendini hemen ele vermez. \u0130zledikten sonra biter ama i\u00e7inden \u00e7\u0131kmaz; bir yerde tak\u0131l\u0131r, geri d\u00f6ner, zihnin i\u00e7inde dola\u015fmay\u0131 s\u00fcrd\u00fcr\u00fcr. Belki de tam bu y\u00fczden \u00f6nemlidir. \u00c7\u00fcnk\u00fc baz\u0131 anlat\u0131lar kusursuz olduklar\u0131 i\u00e7in de\u011fil, eksik kald\u0131klar\u0131 yerlerden s\u0131zan bir hakikat ta\u015f\u0131d\u0131klar\u0131 i\u00e7in kal\u0131c\u0131 olur.<\/p>\n\n\n\n

Film, T\u00fcrkiye\u2019nin yak\u0131n ge\u00e7mi\u015findeki a\u011f\u0131r e\u015fiklerden birisi olan Bar\u0131\u015f \u0130\u00e7in Akademisyenler bildirisine yasland\u0131\u011f\u0131n\u0131 hissettirerek ba\u015flar. Bir bildirinin yaln\u0131zca bir metin olmaktan \u00e7\u0131k\u0131p hayatlar\u0131 da\u011f\u0131tan bir olaya d\u00f6n\u00fc\u015fmesi; i\u015flerin, evlerin, ili\u015fkilerin, hatta kimliklerin \u00e7\u00f6z\u00fclmeye ba\u015flamas\u0131\u2026 \u201cSar\u0131 Zarflar\u201d bu k\u0131r\u0131lmay\u0131 do\u011frudan anlatmaz; onu karakterlerin hayat\u0131na, daha do\u011frusu hayatlar\u0131n\u0131n daralmas\u0131na yerle\u015ftirir. Bu y\u00fczden film, bir olay\u0131n de\u011fil, bir atmosferin filmidir.<\/p>\n\n\n\n

Derya ve Aziz Tufan\u2019\u0131n hik\u00e2yesi bu daralman\u0131n iki ayr\u0131 y\u00fcz\u00fcn\u00fc ta\u015f\u0131r. Oyuncu olan Derya\u2019n\u0131n ba\u015flang\u0131\u00e7taki y\u00fcksek sesli itiraz\u0131, bir t\u00fcr g\u00f6r\u00fcn\u00fcr direni\u015fin temsilidir; bedenini, s\u00f6z\u00fcn\u00fc ve varl\u0131\u011f\u0131n\u0131 ortaya koyan bir kar\u015f\u0131 \u00e7\u0131k\u0131\u015f. Akademisyen ve oyun yazar\u0131 olan Aziz ise daha sessizdir; i\u00e7ine kapan\u0131r, geri \u00e7ekilir gibi g\u00f6r\u00fcn\u00fcr. Fakat zaman ilerledik\u00e7e bu iki hatt\u0131n yer de\u011fi\u015ftirdi\u011fini g\u00f6r\u00fcr\u00fcz. Derya yorulur. Direnmenin s\u00fcreklili\u011fi onu a\u015f\u0131nd\u0131r\u0131r ve sonunda bir t\u00fcr sistemle bar\u0131\u015fmaya, hatta eklemlenmeye do\u011fru s\u00fcr\u00fckler. Aziz ise d\u0131\u015far\u0131dan bak\u0131ld\u0131\u011f\u0131nda geri \u00e7ekilmi\u015f gibidir ama asl\u0131nda direni\u015fi ba\u015fka bir d\u00fczleme ta\u015f\u0131r.<\/p>\n\n\n\n

Ama bu d\u00fczlem, san\u0131ld\u0131\u011f\u0131 kadar \u201chayat\u0131n i\u00e7i\u201d de\u011fildir.<\/p>\n\n\n\n

Aziz\u2019in direni\u015fi giderek hayat\u0131n i\u00e7inden \u00e7ok metnin i\u00e7ine \u00e7ekilir. Yazd\u0131klar\u0131nda, d\u00fc\u015f\u00fcnd\u00fcklerinde, kurdu\u011fu c\u00fcmlelerde direnir. Bir t\u00fcr ayd\u0131n \u00fctopyas\u0131n\u0131n i\u00e7inde kal\u0131r: Dilin h\u00e2l\u00e2 kurtar\u0131c\u0131 olabilece\u011fine, d\u00fc\u015f\u00fcncenin hayat\u0131n yerini tutabilece\u011fine dair bir inan\u00e7. Bu, bir yandan onurlu bir \u0131srard\u0131r; di\u011fer yandan da k\u0131r\u0131lgan bir s\u0131\u011f\u0131nak. \u00c7\u00fcnk\u00fc hayat \u00e7\u00f6z\u00fcl\u00fcrken metin her zaman yetmez. Aziz\u2019in taksicili\u011fe ge\u00e7i\u015fi bu y\u00fczden yaln\u0131zca ekonomik bir zorunluluk de\u011fil, ayn\u0131 zamanda bu \u00fctopyan\u0131n s\u0131n\u0131r\u0131na \u00e7arpma an\u0131d\u0131r. Direni\u015f yer de\u011fi\u015ftirir ama eksilir de. Film burada \u00e7ok ince bir \u015fey yapar: Direni\u015fi romantize etmez. Onu oldu\u011fu h\u00e2liyle, par\u00e7al\u0131, \u00e7eli\u015fkili ve yorgun bir s\u00fcre\u00e7 olarak b\u0131rak\u0131r.<\/p>\n\n\n\n

Bu par\u00e7alanman\u0131n bir ba\u015fka y\u00fcz\u00fc de ku\u015faklar aras\u0131nda g\u00f6r\u00fcn\u00fcr h\u00e2le gelir. Ezgi\u2019nin anne ve babas\u0131n\u0131n ya\u015fad\u0131klar\u0131n\u0131 anlamland\u0131ramamas\u0131 yaln\u0131zca bireysel bir kopu\u015f de\u011fil, tarihsel bir k\u0131r\u0131lman\u0131n ku\u015faklar aras\u0131 yank\u0131s\u0131d\u0131r. Ezgi i\u00e7in olan biten, b\u00fcy\u00fck bir politik travmadan \u00e7ok, evin i\u00e7inde a\u00e7\u0131klanamayan bir sessizliktir. Neden i\u015fsiz kal\u0131nd\u0131\u011f\u0131n\u0131, neden korkuldu\u011funu, neden susuldu\u011funu tam olarak kavrayamaz. \u00c7\u00fcnk\u00fc her ku\u015fak travmay\u0131 ayn\u0131 dilden deneyimlemez.<\/p>\n\n\n\n

Anne-baba i\u00e7in bu s\u00fcre\u00e7 bir kay\u0131p ve direni\u015f meselesiyken, \u00e7ocuk i\u00e7in belirsizlik ve anlam bo\u015flu\u011fudur. Ve belki de en sars\u0131c\u0131 olan tam da budur: Politik k\u0131r\u0131lmalar yaln\u0131zca ya\u015fayanlar\u0131 de\u011fil, onlar\u0131 anlamland\u0131ramayanlar\u0131 da \u015fekillendirir.<\/p>\n\n\n\n

\u201cSar\u0131 Zarflar\u201d\u0131n en g\u00fc\u00e7l\u00fc yan\u0131, politik olan\u0131 sloganlara hapsetmeden g\u00fcndelik hayat\u0131n i\u00e7ine da\u011f\u0131tabilmesidir. Evin i\u00e7indeki sessizlik, konu\u015fulamayan c\u00fcmleler, birbirine de\u011fmeden ya\u015fayan iki insan, ailenin i\u00e7indeki k\u00fc\u00e7\u00fck iktidar ili\u015fkileri\u2026 B\u00fct\u00fcn bunlar, b\u00fcy\u00fck politik k\u0131r\u0131lman\u0131n mikro d\u00fczeydeki yank\u0131lar\u0131d\u0131r. Film bu a\u00e7\u0131dan bak\u0131ld\u0131\u011f\u0131nda ger\u00e7ekten cesurdur. \u00c7\u00fcnk\u00fc ba\u011f\u0131rmaz ama duyulur.<\/p>\n\n\n\n

Ve belki de tam bu noktada, filmin mek\u00e2nla kurdu\u011fu ili\u015fki belirleyici h\u00e2le gelir.<\/p>\n\n\n\n

Film ba\u015fta Berlin ve Hamburg\u2019da ge\u00e7iyor gibi g\u00f6r\u00fcnse de, bu \u015fehirler kendi kimlikleriyle var olmaz. Aksine, \u0130stanbul ve Ankara\u2019n\u0131n yerini tutan temsiller gibi kurulur. Bu da filmin ba\u015f\u0131nda a\u00e7\u0131k\u00e7a ifade edilir. Berlin, Ankara\u2019n\u0131n b\u00fcrokratik so\u011fuklu\u011funu; Hamburg ise \u0130stanbul\u2019un s\u0131k\u0131\u015fm\u0131\u015fl\u0131\u011f\u0131n\u0131 ve da\u011f\u0131n\u0131k canl\u0131l\u0131\u011f\u0131n\u0131 ta\u015f\u0131r. Bu bir \u201cyer de\u011fi\u015ftirme\u201d de\u011fil, bilin\u00e7li bir yer de\u011fi\u015ftirtmedir. Film co\u011frafyay\u0131 de\u011fi\u015ftirir ama kaderi sabit tutar.<\/p>\n\n\n\n

Bu y\u00fczden izleyici \u015funu hisseder: \u0130nsan bazen ba\u015fka bir \u00fclkeye gitmez, sadece ayn\u0131 hik\u00e2yeyi ba\u015fka bir yerde ya\u015famaya devam eder.<\/p>\n\n\n\n

Bu tercih, s\u00fcrg\u00fcn\u00fc do\u011frudan anlatmak yerine mek\u00e2n \u00fczerinden dolayl\u0131 bir bi\u00e7imde kurar. Ancak ayn\u0131 zamanda bir mu\u011flakl\u0131k da \u00fcretir. \u00c7\u00fcnk\u00fc film, bu temsiliyet ili\u015fkisini a\u00e7\u0131k\u00e7a kurmaz; sezdirir ama sabitlemez. Bu da izleyicide bir kayma hissi yarat\u0131r.<\/p>\n\n\n\n

Nitekim benzer bir kayma, filmin tarihsel ba\u011flamla kurdu\u011fu ili\u015fkide de hissedilir. Rekt\u00f6rle akademisyenlerin y\u00fczle\u015fti\u011fi sahnede toplumsal cinsiyet \u00fczerinden kurulan gerilim kendi ba\u015f\u0131na \u00f6nemli ve politik olarak k\u0131ymetlidir; fakat anlat\u0131n\u0131n merkezindeki tarihsel k\u0131r\u0131lmayla kurdu\u011fu ili\u015fki zay\u0131f kal\u0131r. Benzer \u015fekilde \u201chak, hukuk, adalet\u201d slogan\u0131n\u0131n kullan\u0131m\u0131 da d\u00f6nemin \u00f6zg\u00fcl dilinden kopuk bir \u00e7a\u011fr\u0131\u015f\u0131m yarat\u0131r.<\/p>\n\n\n\n

Bunlar b\u00fcy\u00fck hatalar de\u011fildir. Ama bir teredd\u00fct \u00fcretir.<\/p>\n\n\n\n

\u0130zleyiciye \u015fu soruyu sordurur: Bu anlat\u0131 o d\u00f6nemin i\u00e7inden mi konu\u015fuyor, yoksa o d\u00f6neme sonradan bakan bir haf\u0131zan\u0131n \u00fcr\u00fcn\u00fc m\u00fc?<\/p>\n\n\n\n

Bu teredd\u00fct, filmin zay\u0131fl\u0131\u011f\u0131 oldu\u011fu kadar g\u00fcc\u00fcd\u00fcr de. \u00c7\u00fcnk\u00fc film kesin bir yerde durmaz. Bir yandan tan\u0131kl\u0131k eder, bir yandan mesafe al\u0131r. Bu ikili durum anlat\u0131n\u0131n politik tonunu sabitlemez ama derinle\u015ftirir.<\/p>\n\n\n\n

Bu derinlik, filmin yaln\u0131zca iktidar\u0131 de\u011fil, muhalif alan\u0131 da sorgulamas\u0131nda daha da belirginle\u015fir. Ayd\u0131nlar\u0131n kendi i\u00e7ine kapanan tart\u0131\u015fmalar\u0131, protestonun dar bir \u00e7evrede d\u00f6n\u00fcp durmas\u0131, direni\u015fin zaman zaman bir performansa d\u00f6n\u00fc\u015fmesi\u2026 \u201cKim daha devrimci?\u201d sorusunun ger\u00e7ek m\u00fccadeleyi g\u00f6lgeledi\u011fi anlar\u2026<\/p>\n\n\n\n

Film burada konforlu bir yer se\u00e7mez. Ele\u015ftiriyi yaln\u0131zca d\u0131\u015far\u0131ya de\u011fil, i\u00e7eriye de y\u00f6neltir. Ve belki de tam bu y\u00fczden rahats\u0131z edicidir.<\/p>\n\n\n\n

B\u00fct\u00fcn bu katmanlar\u0131yla \u201cSar\u0131 Zarflar\u201d kusursuz bir film de\u011fildir. Yer yer bulan\u0131kla\u015f\u0131r, baz\u0131 anlarda kendi kurdu\u011fu hatt\u0131 gev\u015fetir, a\u00e7t\u0131\u011f\u0131 politik alan\u0131 tam olarak sahiplenmez. Ama buna ra\u011fmen, hatta belki de tam da bu y\u00fczden \u00f6nemlidir.<\/p>\n\n\n\n

\u00c7\u00fcnk\u00fc bu hik\u00e2yeyi anlat\u0131r.<\/p>\n\n\n\n

\u00c7\u00fcnk\u00fc bu d\u00f6neme bakar.<\/p>\n\n\n\n

\u00c7\u00fcnk\u00fc o d\u00f6nemin yaratt\u0131\u011f\u0131 duyguyu\u2014s\u0131k\u0131\u015fmay\u0131, yorulmay\u0131, \u00e7\u00f6z\u00fclmeyi\u2014g\u00f6r\u00fcn\u00fcr k\u0131lar.<\/p>\n\n\n\n

Baz\u0131 filmler izleyiciyi ikna etmez.<\/p>\n\n\n\n

Ama pe\u015fini de b\u0131rakmaz.<\/p>\n\n\n\n

\u201cSar\u0131 Zarflar\u201d da b\u00f6yle bir film.<\/p>\n\n\n\n

\u0130\u00e7ine tam sinmeyen yerleriyle birlikte, akl\u0131nda kal\u0131r.<\/p>\n\n\n\n

Kaynak: <\/strong>evrensel.net<\/a><\/p>\n\n\n\n

Yay\u0131n Tarihi:<\/strong> 04.04.2026, 19:09<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cSar\u0131 Zarflar\u201d\u0131n en g\u00fc\u00e7l\u00fc yan\u0131, politik olan\u0131 sloganlara hapsetmeden g\u00fcndelik hayat\u0131n i\u00e7ine da\u011f\u0131tabilmesidir. Evin i\u00e7indeki sessizlik, konu\u015fulamayan c\u00fcmleler, birbirine de\u011fmeden<\/p>\n","protected":false},"author":6,"featured_media":7460,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1,12],"tags":[],"class_list":["post-7459","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-genel","category-kultur-sanat"],"magazineBlocksPostFeaturedMedia":{"thumbnail":"https:\/\/spontanedigital.com.tr\/wp-content\/uploads\/2026\/04\/341510-150x150.webp","medium":"https:\/\/spontanedigital.com.tr\/wp-content\/uploads\/2026\/04\/341510-300x200.webp","medium_large":"https:\/\/spontanedigital.com.tr\/wp-content\/uploads\/2026\/04\/341510-768x512.webp","large":"https:\/\/spontanedigital.com.tr\/wp-content\/uploads\/2026\/04\/341510-1024x682.webp","1536x1536":"https:\/\/spontanedigital.com.tr\/wp-content\/uploads\/2026\/04\/341510.webp","2048x2048":"https:\/\/spontanedigital.com.tr\/wp-content\/uploads\/2026\/04\/341510.webp","ultp_layout_landscape_large":"https:\/\/spontanedigital.com.tr\/wp-content\/uploads\/2026\/04\/341510-1200x800.webp","ultp_layout_landscape":"https:\/\/spontanedigital.com.tr\/wp-content\/uploads\/2026\/04\/341510-870x570.webp","ultp_layout_portrait":"https:\/\/spontanedigital.com.tr\/wp-content\/uploads\/2026\/04\/341510-600x853.webp","ultp_layout_square":"https:\/\/spontanedigital.com.tr\/wp-content\/uploads\/2026\/04\/341510-600x600.webp","colormag-highlighted-post":"https:\/\/spontanedigital.com.tr\/wp-content\/uploads\/2026\/04\/341510-392x272.webp","colormag-featured-post-medium":"https:\/\/spontanedigital.com.tr\/wp-content\/uploads\/2026\/04\/341510-390x205.webp","colormag-featured-post-small":"https:\/\/spontanedigital.com.tr\/wp-content\/uploads\/2026\/04\/341510-130x90.webp","colormag-featured-image":"https:\/\/spontanedigital.com.tr\/wp-content\/uploads\/2026\/04\/341510-800x445.webp","colormag-default-news":"https:\/\/spontanedigital.com.tr\/wp-content\/uploads\/2026\/04\/341510-150x150.webp","colormag-featured-image-large":"https:\/\/spontanedigital.com.tr\/wp-content\/uploads\/2026\/04\/341510-1280x600.webp"},"magazineBlocksPostAuthor":{"name":"Hayrun Nisa G\u00fcl K\u0131z\u0131ko\u011flu","avatar":"https:\/\/spontanedigital.com.tr\/wp-content\/uploads\/2026\/02\/WhatsApp-Image-2026-02-27-at-13.44.35-150x150.jpeg"},"magazineBlocksPostCommentsNumber":"0","magazineBlocksPostExcerpt":"\u201cSar\u0131 Zarflar\u201d\u0131n en g\u00fc\u00e7l\u00fc yan\u0131, politik olan\u0131 sloganlara hapsetmeden g\u00fcndelik hayat\u0131n i\u00e7ine da\u011f\u0131tabilmesidir. 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