{"id":9829,"date":"2026-04-24T22:57:12","date_gmt":"2026-04-24T19:57:12","guid":{"rendered":"https:\/\/spontanedigital.com.tr\/?p=9829"},"modified":"2026-04-24T22:57:17","modified_gmt":"2026-04-24T19:57:17","slug":"sinemada-politik-mizahin-gucu-charlie-chaplin-ve-buyuk-diktator","status":"publish","type":"post","link":"https:\/\/spontanedigital.com.tr\/?p=9829","title":{"rendered":"Sinemada Politik Mizah\u0131n G\u00fcc\u00fc: Charlie Chaplin ve B\u00fcy\u00fck Diktat\u00f6r"},"content":{"rendered":"\n

Charlie Chaplin, \u2018\u0130radenin Zaferi\u2019 filmi ile fa\u015fizm propagandas\u0131na mizah\u0131n g\u00fcc\u00fcyle kar\u015f\u0131 durmu\u015ftur. Her sahnesi politik bir g\u00f6nderme i\u00e7eren \u2018B\u00fcy\u00fck Diktat\u00f6r\u2019 filminde Chaplin; Yahudilere ve \u00c7ingenelere yap\u0131lan i\u015fkencelere dikkat \u00e7eker.<\/em><\/strong><\/p>\n\n\n\n

1934 y\u0131l\u0131nda \u00e7ekilen \u0130radenin Zaferi, sinema tarihinde \u00e7ekilen en iyi propaganda filmlerinden biri olarak an\u0131l\u0131r. Filmin y\u00f6netmeni, yap\u0131mc\u0131s\u0131 ve Walter Ruttmann ile birlikte metin yazar\u0131 olan Leni Riefenstahl, sinema kariyerine macera filmlerinde oyuncu olarak ba\u015flam\u0131\u015ft\u0131r. Hen\u00fcz \u00e7ok gen\u00e7 say\u0131labilecek bir ya\u015fta, daha 30 ya\u015f\u0131ndayken, ilk b\u00fcy\u00fck uzun metrajl\u0131 filmi Das blaue Licht (Mavi I\u015f\u0131k)\u2019\u0131 1932\u2019de y\u00f6netmi\u015ftir. Bu filmi izleyen Adolf Hitler, Leni Riefenstahl\u2019\u0131n i\u00e7indeki cevheri fark etmekte gecikmez. Ayn\u0131 \u015fekilde Riefenstahl da Hitler\u2019in co\u015fkulu konu\u015fmalar\u0131n\u0131 dinledikten sonra s\u0131k\u0131 bir Hitler hayran\u0131 olmu\u015ftur.<\/p>\n\n\n\n

Hitler ve Riefenstahl\u2019\u0131 ayn\u0131 noktada bulu\u015fturan ko\u015fullar; Birinci D\u00fcnya Sava\u015f\u0131 yenilgisinin sonras\u0131nda darbo\u011faza s\u00fcr\u00fcklenen Alman ekonomisinin \u00fcr\u00fcn\u00fc olan i\u015fsizlik ve yoksulluk alt\u0131nda ezilen Alman halk\u0131n\u0131n, kendilerine umut vadedecek bir lider arad\u0131\u011f\u0131 ko\u015fullard\u0131r. Hitler\u2019in kalabal\u0131klar\u0131 co\u015fturan pop\u00fclist s\u00f6ylemleri, \u00e7ok k\u0131sa s\u00fcrede Nasyonal Sosyalist Alman \u0130\u015f\u00e7i Partisi\u2019ni (NSDAP) iktidara ta\u015f\u0131r.<\/p>\n\n\n\n

Bir propaganda arac\u0131 olarak sinema<\/h3>\n\n\n\n

Daha iktidarlar\u0131n\u0131n ilk y\u0131l\u0131ndan itibaren NSDAP, g\u00fc\u00e7l\u00fc Alman halk\u0131 s\u00f6ylemine vurgu yapar. Geleneksel propaganda ayg\u0131tlar\u0131n\u0131n yan\u0131 s\u0131ra iktidar olman\u0131n sa\u011flad\u0131\u011f\u0131 sonsuz olanaklar\u0131 da bu y\u00f6nl\u00fc propagandalar\u0131nda kullanmaya ba\u015flad\u0131lar. Sineman\u0131n bir propaganda arac\u0131 olarak ne denli b\u00fcy\u00fck bir olanak sundu\u011funu Sovyetler Birli\u011fi deneyimlerinde g\u00f6rm\u00fc\u015flerdi. Sovyet devrimini anlatan ve \u00e7a\u011f\u0131nda her anlamda \u00e7\u0131\u011f\u0131r a\u00e7an Potemkin Z\u0131rhl\u0131s\u0131, neyi nas\u0131l yapmalar\u0131 gerekti\u011fi hakk\u0131nda fazlas\u0131yla bilgi veriyordu. Hitler\u2019in Propaganda Bakan\u0131 Joseph Goebbels, Potemkin Z\u0131rhl\u0131s\u0131\u2019n\u0131 izledikten sonra \u201cE\u015fi benzeri olmayan \u015faheser. Bu filmi izleyen insan bir Bol\u015fevik olabilir\u201d diyerek filmden ne kadar etkilendi\u011fini a\u00e7\u0131k\u00e7a belirtmi\u015ftir.<\/p>\n\n\n\n

Benzer i\u00e7erikte bir propaganda filmi yapma fikriyle Hitler ve Goebbels aray\u0131\u015fa girer. Hitler, \u201cWagnerci g\u00fc\u00e7 ve g\u00fczellik motifleri ile bezenmi\u015f g\u00fc\u00e7l\u00fc bir Almanya imaj\u0131 yaratmak i\u00e7in esteti\u011fi kullanabilecek bir y\u00f6netmen\u201d olarak g\u00f6rd\u00fc\u011f\u00fc Leni Riefenstahl ile \u00e7al\u0131\u015fmaya karar verir. Leni Riefenstahl daha \u00f6ncesinde de Hitler\u2019in davetiyle 1933\u2019te N\u00fcrnberg Nazi Partisi Mitingi \u2019nde \u00e7ekilen Der Sieg des Glaubens (\u0130nanc\u0131n Zaferi) adl\u0131 k\u0131sa filmi y\u00f6netmi\u015ftir. Her ne kadar Propaganda Bakan\u0131 Goebbels, kad\u0131n olmas\u0131ndan dolay\u0131 onu yetersiz bulup olumlu g\u00f6r\u00fc\u015f bildirmemi\u015f olsa da Hitler, 1934 y\u0131l\u0131nda Riefenstahl\u2019dan bizzat ismini de kendisinin koydu\u011fu \u0130radenin Zaferi filmini \u00e7ekmesini ister.<\/p>\n\n\n\n

1934 y\u0131l\u0131, Nasyonal Sosyalist Alman \u0130\u015f\u00e7i Partisi\u2019nin iktidar\u0131n\u0131n birinci y\u0131l\u0131d\u0131r. N\u00fcrnberg\u2019de d\u00fczenleyece\u011fi 6. kongrede Hitler\u2019in hedefi; Birinci D\u00fcnya Sava\u015f\u0131\u2019ndan yenilgiyle \u00e7\u0131kan Almanya\u2019n\u0131n tekrar ayaklar\u0131 \u00fczerinde durabildi\u011fini b\u00fct\u00fcn d\u00fcnyaya g\u00f6stermek ve Alman halk\u0131 \u00fczerindeki psikolojik y\u0131k\u0131m\u0131 ortadan kald\u0131rmakt\u0131r. Bunun belgelenmesi emri, \u0130radenin Zaferi filminin amac\u0131n\u0131 olu\u015fturmaktad\u0131r. Bu ama\u00e7la kongrenin d\u00fczenlenece\u011fi N\u00fcrnberg \u015fehri dev bir film platosuna \u00e7evrilir. \u00c7ekim a\u015famas\u0131nda Leni Riefenstahl\u2019\u0131n NSDAP’\u0131n para ve insan olanaklar\u0131n\u0131 s\u0131n\u0131rs\u0131z bir \u015fekilde kullanmas\u0131na izin verilir. Otuzdan fazla kameraman ve say\u0131s\u0131z insan g\u00fcc\u00fc ile haz\u0131rlanan dekorlar, \u0131\u015f\u0131k sistemleri ve denenen yeni teknikler sonucunda 400 kilometre uzunlu\u011funda, 60 saatten fazla s\u00fcren ham film \u00e7ekimi yap\u0131l\u0131r. Potemkin Z\u0131rhl\u0131s\u0131 \u2019n\u0131n ba\u015far\u0131s\u0131, \u00f6zg\u00fcn hik\u00e2yesinin yan\u0131 s\u0131ra Sergei Eisenstein\u2019\u0131n yenilik\u00e7i kurgu kuramlar\u0131n\u0131 deneme olana\u011f\u0131 buldu\u011fu bir film olarak da tarihte ilktir. Eisenstein\u2019\u0131n a\u00e7t\u0131\u011f\u0131 yolda ilerleyen Riefenstahl, kurguya da ayr\u0131 bir \u00f6nem verir. Alt\u0131 aydan fazla s\u00fcren kurgu sonras\u0131nda, \u00e7ekilen ham g\u00f6r\u00fcnt\u00fclerin sadece y\u00fczde \u00fc\u00e7 gibi \u00e7ok az bir k\u0131sm\u0131 kullan\u0131larak iki saatlik bir film ortaya \u00e7\u0131kar.<\/p>\n\n\n\n

B\u00fcy\u00fcleyici ve bir o kadar da korkutucu<\/h3>\n\n\n\n

\u0130radenin Zaferi filmi tarihte kaba fa\u015fist s\u00f6ylemlerin \u00f6tesinde; b\u00fcy\u00fcleyici ve bir o kadar da korkutucu bir \u00e7al\u0131\u015fmad\u0131r. G\u00f6sterildi\u011fi her \u00fclkede ilgiyle kar\u015f\u0131lanan; ABD, \u0130svi\u00e7re ve daha bir\u00e7ok \u00fclkede \u00f6d\u00fcller alan bu filmin etkisi k\u0131sa s\u00fcrede b\u00fct\u00fcn d\u00fcnyaya yay\u0131lm\u0131\u015f; kendinden sonra \u00e7ekilen say\u0131s\u0131z film, belgesel ve reklam filmini etkilemi\u015ftir. Riefenstahl\u2019\u0131n bu filmi, Charlie Chaplin’in 1940 yap\u0131m\u0131 bir ba\u015fka ba\u015fyap\u0131ta ilham vermi\u015ftir.<\/p>\n\n\n\n

Nazi iktidar\u0131n\u0131n ayak seslerinin duyuldu\u011fu 1931 y\u0131l\u0131nda Berlin\u2019e ziyarette bulunan Charlie Chaplin\u2019e y\u00f6nelik sevgi g\u00f6sterileri, Alman fa\u015fistlerini fazlas\u0131yla k\u0131zd\u0131rm\u0131\u015ft\u0131. Bu y\u0131llar, Charlie Chaplin’in \u015earlo karakteri ile \u00fcn\u00fcn\u00fcn Amerika\u2019dan sonra Avrupa\u2019da da h\u0131zla yay\u0131lmaya ba\u015flad\u0131\u011f\u0131 y\u0131llard\u0131. 1934 y\u0131l\u0131nda Johann von Leers taraf\u0131ndan yay\u0131mlanan ve Nazilerin “istenmeyen” g\u00f6rd\u00fc\u011f\u00fc ki\u015fileri listeledikleri Yahudiler Sana Bak\u0131yor adl\u0131 propaganda kitab\u0131nda Charlie Chaplin\u2019den “i\u011fren\u00e7 bir Yahudi akrobat” diye bahsediliyordu. Nasyonal sosyalistlerin sand\u0131\u011f\u0131n\u0131n aksine Yahudi olmayan \u201cNazi kar\u015f\u0131t\u0131 olmak i\u00e7in Yahudi olmak gerekmez. Normal, d\u00fcr\u00fcst bir insan olmak yeterlidir” diyen Charlie Chaplin, birka\u00e7 y\u0131l sonra ki\u015fisel olarak da intikam\u0131n\u0131 alacakt\u0131r.<\/p>\n\n\n\n

Chaplin, \u0130radenin Zaferi filmini ilk kez Frans\u0131z y\u00f6netmen ve senarist Ren\u00e9 Clair ile birlikte izlemi\u015ftir. Clair\u2019in g\u00f6rd\u00fckleri kar\u015f\u0131s\u0131nda deh\u015fete d\u00fc\u015ft\u00fc\u011f\u00fc filmi Chaplin\u2019in kahkahalarla izledi\u011fi \u00f6zellikle belirtilmektedir. Chaplin, filmi izleyen hemen herkesin arkada\u015f\u0131 Ren\u00e9 Clair korku ya da hayranl\u0131k ile seyretti\u011fini fark etmi\u015ftir. \u0130radenin Zaferi ile \u00e7ok geni\u015f kitlelere ula\u015fan fa\u015fizm propagandas\u0131na en iyi bildi\u011fi yolla, mizah\u0131n g\u00fcc\u00fcyle kar\u015f\u0131 durmu\u015ftur.<\/p>\n\n\n\n

B\u00fcy\u00fck Diktat\u00f6r ve \u015earlo\u2019nun \u00f6l\u00fcm\u00fc<\/h3>\n\n\n\n

Defalarca seyretti\u011fi \u0130radenin Zaferi filminde Charlie Chaplin; Hitler\u2019in konu\u015fma tarz\u0131n\u0131 ve hareketlerini nas\u0131l taklit edece\u011fini \u00f6\u011frenmi\u015f, muazzam bir g\u00fcce sahip olarak g\u00f6sterilen bir diktat\u00f6r\u00fc g\u00fcl\u00fcn\u00e7 bir karaktere d\u00f6n\u00fc\u015ft\u00fcrerek alay edilebilir h\u00e2le getirmi\u015ftir. B\u00fcy\u00fck Diktat\u00f6r \u2019de, kendisine benzer fiziksel yanlar\u0131n\u0131 \u00f6n plana \u00e7\u0131kararak sahneye ta\u015f\u0131d\u0131\u011f\u0131 Adenoid Hynkel (Adolf Hitler) karakteri ile Chaplin, \u015f\u00f6hretini bor\u00e7lu oldu\u011fu \u015earlo karakterini tamamen \u00f6ld\u00fcrm\u00fc\u015ft\u00fcr.<\/p>\n\n\n\n

1937 y\u0131l\u0131nda \u00f6n haz\u0131rl\u0131klar\u0131na, 1939 y\u0131l\u0131nda ise \u00e7ekimlerine ba\u015flanan ve alt\u0131 ay gibi k\u0131sa bir s\u00fcrede tamamlanan B\u00fcy\u00fck Diktat\u00f6r, Charlie Chaplin\u2019in ilk sesli filmidir. Nazi Almanyas\u0131\u2019n\u0131n pazar pay\u0131n\u0131 kaybetmekten korkan Amerikan film yap\u0131mc\u0131lar\u0131n\u0131n Hitler\u2019in eylemleri kar\u015f\u0131s\u0131nda sessiz kalmas\u0131, Chaplin\u2019in 1,5 milyon dolar\u0131 bulan B\u00fcy\u00fck Diktat\u00f6r filminin finansman\u0131n\u0131 kendisinin sa\u011flamas\u0131na neden oldu. Bu durum Chaplin’in b\u00fct\u00fcn birikimini bu filme yat\u0131rmas\u0131na neden olmas\u0131yla birlikte, ticari kayg\u0131lar\u0131n sebep oldu\u011fu s\u0131n\u0131rlamalardan uzak bir film yapmas\u0131n\u0131 da sa\u011flad\u0131. \u00d6zellikle filmin sonundaki 4 dakikal\u0131k tarihi konu\u015fma, bu ekonomik \u00f6zg\u00fcrl\u00fck sayesinde ger\u00e7ekle\u015fti. B\u00fcy\u00fck Diktat\u00f6r; Nazi sempatizanlar\u0131n\u0131n \u00f6l\u00fcm tehditlerine, efsanevi FBI Ba\u015fkan\u0131 Edgar Hoover\u2019\u0131n Chaplin’e olan ki\u015fisel tak\u0131nt\u0131s\u0131na, \u0130ngiliz ve Amerikan h\u00fck\u00fcmetlerinin diplomatik kriz \u00e7\u0131kmamas\u0131 i\u00e7in \u00e7ekimleri durdurmas\u0131 y\u00f6n\u00fcndeki bask\u0131lar\u0131na ra\u011fmen tamamland\u0131.<\/p>\n\n\n\n

Her sahnesi politik bir g\u00f6nderme<\/h3>\n\n\n\n

Her sahnesi politik bir g\u00f6nderme i\u00e7eren filmde Chaplin; fa\u015fizme, diktat\u00f6rlere ve bunlar\u0131n y\u00f6netti\u011fi \u00fclkelerde Yahudilere ve \u00c7ingenelere yap\u0131lan i\u015fkencelere dikkat \u00e7eker. 1940 y\u0131l\u0131 B\u00fcy\u00fck Diktat\u00f6r \u2019\u00fcn yay\u0131mland\u0131\u011f\u0131 y\u0131ld\u0131r ve hen\u00fcz Holokost (Yahudi Soyk\u0131r\u0131m\u0131) ba\u015flamam\u0131\u015ft\u0131r. T\u00fcm bu yay\u0131nland\u0131\u011f\u0131 d\u00f6nemin ileri g\u00f6r\u00fc\u015fl\u00fc, muhalif yan\u0131na ra\u011fmen B\u00fcy\u00fck Diktat\u00f6r sava\u015ftan sonra Nazi zulm\u00fcn\u00fc \u00f6nemsizle\u015ftirmekle de su\u00e7lanacakt\u0131r. 1964 y\u0131l\u0131nda kaleme ald\u0131\u011f\u0131 otobiyografisinde Charlie Chaplin’in, \u201cAlman toplama kamplar\u0131n\u0131n ger\u00e7ek deh\u015fetini bilseydim B\u00fcy\u00fck Diktat\u00f6r\u2019\u00fc yapamazd\u0131m; Nazilerin cinayete meyilli delili\u011fiyle dalga ge\u00e7emezdim.\u201d diye kendini savunmak durumunda kalmas\u0131n\u0131n nedeni bu ele\u015ftirilerdir.<\/p>\n\n\n\n

\u0130kinci D\u00fcnya Sava\u015f\u0131 sonras\u0131 kurulan Nazi Sava\u015f Su\u00e7lar\u0131 Mahkemesi\u2019nde yarg\u0131lananlardan birisi de Leni Riefenstahl olmu\u015ftur. Mahkeme kar\u015f\u0131s\u0131nda kendini \u201cY\u00fczde doksan Hitler\u2019in arkas\u0131ndayd\u0131, ona kar\u015f\u0131 \u00e7\u0131kan \u00e7ok az ki\u015fi vard\u0131. Ben de mi kar\u015f\u0131 \u00e7\u0131kmal\u0131yd\u0131m?\u201d diye savunur. Asl\u0131nda s\u00f6yledi\u011finin do\u011fruluk pay\u0131 da vard\u0131r. Hitler, kendi \u00fclkesinde birle\u015ftirici ve istikrar sa\u011flay\u0131c\u0131 bir lider olarak geni\u015f halk y\u0131\u011f\u0131nlar\u0131n\u0131 pe\u015finden s\u00fcr\u00fcklemesinin yan\u0131 s\u0131ra; Sosyalist Sovyetler Birli\u011fi\u2019ne kar\u015f\u0131 s\u00f6ylemleri ve politikalar\u0131 nedeniyle \u0130talya, \u0130ngiltere, \u0130svi\u00e7re, Fransa, Amerika Birle\u015fik Devletleri ve daha pek \u00e7ok \u00fclkenin dolayl\u0131 ya da do\u011frudan deste\u011fini alm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

\u2018Esaret i\u00e7in de\u011fil h\u00fcrriyet i\u00e7in sava\u015f\u0131n\u2019<\/h3>\n\n\n\n

B\u00fcy\u00fck Diktat\u00f6r ile Charlie Chaplin; Hitler ile uzla\u015farak kendilerini koruyacaklar\u0131n\u0131 d\u00fc\u015f\u00fcnen devlet y\u00f6neticilerinden, ayd\u0131nlardan ve sanat\u00e7\u0131lardan bir ad\u0131m \u00f6nde, mizah\u0131n g\u00fcc\u00fcyle fa\u015fizmin kar\u015f\u0131s\u0131nda durur. B\u00fcy\u00fck Diktat\u00f6r\u2019e kadar sesli filmlerin pandomimin g\u00fcc\u00fcn\u00fc zay\u0131flatt\u0131\u011f\u0131n\u0131 s\u00f6yleyen Charlie Chaplin, beyaz perdede ilk kez ama en g\u00fcr sesiyle konu\u015fur: \u201cAskerler! Zorbalara itaat etmeyin. Onlar sizi eziyor; d\u00fc\u015f\u00fcncelerinizi, hislerinizi ve hareketlerinizi planl\u0131yor, sizi koyun yerine koyuyorlar. (…) Askerler! Esirlik i\u00e7in de\u011fil, h\u00fcrriyet i\u00e7in sava\u015f\u0131n.\u201d<\/p>\n\n\n\n

\u0130kinci D\u00fcnya Sava\u015f\u0131, kendinden \u00f6nceki b\u00fct\u00fcn sava\u015flar\u0131n ilerisinde, d\u00fcnyan\u0131n o g\u00fcne dek g\u00f6rd\u00fc\u011f\u00fc en b\u00fcy\u00fck y\u0131k\u0131m\u0131n ve say\u0131s\u0131z katliam\u0131n ya\u015fand\u0131\u011f\u0131 bir sava\u015f olmu\u015ftu. O g\u00fcnlerden bug\u00fcne say\u0131s\u0131z kez ya\u015fanan katliam ve soyk\u0131r\u0131mlar\u0131n bir yenisinin daha ya\u015fand\u0131\u011f\u0131 g\u00fcn\u00fcm\u00fczde; B\u00fcy\u00fck Diktat\u00f6r filminin sonunda yer alan ve d\u00fcnden bug\u00fcne do\u011frulu\u011funu hi\u00e7 kaybetmeyen konu\u015fmas\u0131 ile Charlie Chaplin’e yeniden kulak verelim: \u201cBeni i\u015fitenlere \u015funu s\u00f6ylemek istiyorum: Umutsuzlu\u011fa kap\u0131lmay\u0131n.<\/p>\n\n\n\n

\u00dcst\u00fcm\u00fcze \u00e7\u00f6ken bela; vah\u015fi bir h\u0131rs\u0131n, insanl\u0131\u011f\u0131n geli\u015fmesinden korkanlar\u0131n duydu\u011fu ac\u0131n\u0131n bir sonucu. (…) D\u00fcnyay\u0131 \u00f6zg\u00fcrle\u015ftirmek i\u00e7in sava\u015fal\u0131m. Uluslar aras\u0131ndaki s\u0131n\u0131rlar olmadan ya\u015fayabilmek; kendimizi h\u0131rstan, nefretten ve ho\u015fg\u00f6r\u00fcs\u00fczl\u00fckten ar\u0131nd\u0131rmak i\u00e7in\u2026 Sa\u011fduyulu bir d\u00fcnya i\u00e7in\u2026 Bilimin ve geli\u015fmenin b\u00fct\u00fcn insanl\u0131\u011fa mutluluk getirece\u011fi bir d\u00fcnya i\u00e7in sava\u015fal\u0131m.”<\/p>\n\n\n\n

Kaynak: <\/em><\/strong>evrensel.net<\/a><\/p>\n\n\n\n

Yay\u0131nlanma Tarihi: <\/em><\/strong>24.04.2026, 22:55<\/p>\n\n\n\n

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Charlie Chaplin, \u2018\u0130radenin Zaferi\u2019 filmi ile fa\u015fizm propagandas\u0131na mizah\u0131n g\u00fcc\u00fcyle kar\u015f\u0131 durmu\u015ftur. 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